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New study finds Florida seriously lacking in jobs that pay a living wage

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According to a new study published today, the living wage required for a single person in Florida to support him or herself is $16.84 an hour. That amount jumps to $39.48 for somebody with a family of three others to support. Unfortunately, the majority of available jobs in the Sunshine State don't pay anywhere near those amounts.

In "America's Changing Economy," written by the group Alliance for a Just Society, there are 13 job seekers in the state for each living wage job opening. The report says that it's even more difficult for job seekers with a family to support, with 53 job seekers looking to make $39.48 an hour, which the study says is a living wage for a family with two working adults and two children.

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This is what's called "the jobs gap," according to Ben Henry, the lead author of the study. On a Tuesday conference call put together by the Orlando community activist group Organize Now, Henry said that 64 percent of the new jobs offered Floridians pay less than the living wage standard in Florida.

In 2004, Florida voters approved an increase in the minimum wage that, adjusted for CPI, now stands at $7.79 an hour (and goes to $7.93 in 2014). But with a economy still trying to recover to pre-2008 unemployment levels, some local communities have raised the wage to meet current economic conditions.

In Miami-Dade County, the living wage law requires contractors with the county to pay a minimum wage of $12.23 per hour if the company provides health benefits at a given level, or $14.01 without benefits. In Broward County, contractors with the county are required to pay a minimum wage of $11.46 per
hour if the company provides health benefits at a given level, or $12.95 without benefits.

But state lawmakers in Tallahassee tried to thwart those local ordinances, passing a bill (HR 655) in the Republican controlled House of Representatives that would preempt such living wage ordinances around the state. That bill failed to get through the Senate.

A study
published last year by Georgetown University's Center on Education and Workforce claimed that Florida is poised to become a state of mostly low-wage and/or low-skilled jobs.

"While Rick Scott has touted the pro-business atmosphere of the state and has made job growth a key component of his tenure as governor, median wages across the state continue to be among the lowest in the nation," said Stephanie Porta, the director with Organize Now.

Porta says that legislative remedies such as living wage ordinances are what will lead the state on the path to recovery while allowing workers to provide for the basic needs of their family. "Wages must increase across the board, starting with the minimum wage and extending to living wages."

A "good job" in the United States is defined as one that pays at least $18.50 an hour, or $37,000 a year, has employer-provided health insurance and a retirement plan, according to the Center for Economic and Policy Research, a D.C.-based think tank.

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Sexercise with yoga ball dildos

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There's no product I'd rather watch an hour-long infomercial for than Pink Diamond's "Double Ball/Dildo."

I can only imagine how this sex toy/exercise machine was conceived. Was the inventor inspired by a coworker bouncing on the exercise ball she used as an office chair? Did he find his muse in a naked adult using a child's bounce ball? Or, did he simply see a woman in yoga pants grinding an exercise ball in his pilates class?

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The Double Ball/Dildo is built to support up to 330 pounds of bouncing sexiness. Handles are provided so the user doesn't have to grip the ball with just her thighs like an overconfident sorority girl in a mechanical bull-riding contest. Of all the versatile things one can do with this sex machine—namely pounding vaginal and anal penetration—perhaps the most unique idea is described by Pink Diamond as follows:

"Couples can introduce the double bouncing dildo into sexplay as an interesting third party. She/he can experience double penetration without the presence of a second male/Female partner."

Pink Diamond has yet to release any "instructional" pictures or videos, nor are there any detailed exercise routines to help users get the most bang from their sexercise routines. However, there is some chatter on Twitter that Filly Films may feature these balls in an upcoming scene. Hopefully the video will help illuminate the debate as to whether these balls are actually pleasurable or if they fall flat.



Check out Pink Diamond's Double Ball/Dildo at PinkDiamond69.com

Follow Alfie on Twitter or Facebook and email him here

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The messenger delivers: Johnny Marr at the Beacham Theatre, Orlando

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Preconceived notions and expectations can be incredible sources of disappointment. A predetermined image or an idea of how a film will unfold or how a record will sound or how a concert will flow can often be the standards to which we can only hope said art forms will live up to. And when they don't live up to our hopes, we often feel betrayed and ripped off. However, when those very expectations are surpassed and exceed our wildest imagination, the elation and the rush we experience is pretty indescribable.

So was the case with last Monday night's Johnny Marr concert at the cozy Beacham Theatre in downtown Orlando. I knew this would be a special show. Besides the fact that Marr is an amazing, accomplished guitarist and that he was the heart and soul of The Smiths, one of the greatest British rock bands of all time (yes, I said it), his current solo album, 2013's The Messenger is a superb display of Marr's fine songwriting and playing and showcases his appealing, emotive vocal talents.

As Marr and his fine three-piece took the stage amid a constant barrage of strobe lights and opened their set with "The Right Thing Right"— the opening Teardrop Explodes-like rocker from the new album — I knew instantly that this was going to be a memorable night. The sound in the room was warm and bright. Marr looked every bit the cool, dapper rock star he's portrayed since his days as the musical architect of The Smiths, clad in a grayish-blue hip jacket over a black shirt and black jeans and sporting his typical mod haircut. The well-preserved 50-year-old looked youthful and spry. And when he started singing and playing, I was completely won me over by verse two.

Every once in a while and when you're least expecting it, it seems, the faith and the belief you've invested into a life that's dedicated to rock 'n roll can be restored and rejuvenated. This night proved to be one of those pivotal moments for me. It's been a while since I've attended a show that really connected and spoke to me to this degree. As Marr cleverly worked his way though his brilliantly-paced setlist sprinkled with Smiths classics, his intensity, swagger and presence seemed to grow larger and larger. By the time he got around to the one-two punch of "Generate! Generate!" (the catchiest and most earworm-y cut from the new album) and "Bigmouth Strikes Again" (featuring some of his most jaw-dropping guitar work from the Smiths catalog), the hysteria I was experiencing along with the rest of the passionate, tightly-packed crowd had reached a fever pitch.

Strutting from end to end of the stage, striking cool poses and joking with the audience between songs, Marr's more than won over every person in the venue. A prime example of what a rock show should look like, sound like and most importantly, feel like, Marr's nearly sold-out show —the next to last stop on his current U.S. tour — was a resounding triumph and a true testament to his skill, charisma, versatility and musicianship.

An encore that featured a cover of the 1958 Sonny Curtis classic "I Fought The Law" (which more closely resembled The Clash's 1979 arrangement) and a nod to Marr's stint as part of Electronic (the duo act that also featured Bernard Sumner of Joy Division/New Order fame) was capped off with arguably the greatest-ever Smiths song, "There is A Light That Never Goes Out." It more than solidified the sheer magnitude of the brilliant 95-minute set the Orlando crowd had just witnessed.

This show will indeed not only end up ranking as my favorite of 2013, but will surely go down as one of the best and most memorable shows I've ever witnessed and been a part of. Serving prior stints as a member of The The, Modest Mouse, Electronic and The Cribs, Marr more than proved he's a mighty, viable solo performer, and that he's carefully honed his stage presence over the years, and that he knows how to rock.

To say that I'm glad I made the weeknight trek up to Orlando for this show is a grave understatement; the inspiration and fulfillment I walked away with from the whole magnificent experience is sure to last for a long time. Thank you, Johnny Marr for revitalizing my undying belief and dedication to rock 'n roll. You continue to reaffirm what a longtime fan of yours already knew.

Set List:
The Right Thing Right
Stop Me If You Think You've Heard This One Before (The Smiths)
Upstarts
Sun & Moon
The Crack Up
Panic (The Smiths)
New Town Velocity
The Messenger
Lockdown
Say Demesne
Generate! Generate!
Bigmouth Strikes Again (The Smiths)
Word Starts Attack
I Want the Heartbeat
How Soon Is Now (The Smiths)
encore:
Please, Please, Please, Let Me Get What I Want (The Smiths)
The Hop
I Fought The Law (Sonny Curtis)
Getting Away With It (Electronic)
There is A Light That Never Goes Out (The Smiths)

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Holy Hog BBQ coming to Tampa Mayor Bob Buckhorn's food truck rally

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Every month, Tampa Mayor Bob Buckhorn hosts a food truck rally at downtown Tampa's Lykes Gaslight Square. Buckhorn always shows up and grabs a bite to eat from one of the Tampa Bay area's local food trucks in attendance.

For Wednesday, December 4, food truck rally attendees should take note of some of the new offerings. Tampa's Best of the Bay award-winning Holy Hog BBQ brings its "food truck" (it's a vehicle but not quite a food truck) filled with all the barbecue your midday tummy can muster.

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On the menu is a barbecue sandwich combo, take your pick of pulled pork, chicken or brisket. Choose two sides from coleslaw, baked beans and jalapeño mac & cheese. Wash it all down with some homemade sweet iced tea.

Other December participants include Cajun in a Truck (also new to the rally), American Wiener, Nico's Arepas, Rollin' Zoinks, Dochos, Maggie on the Move, Michelle Faedo, and Enjoi Sweets.

Tampa's food truck rally at Lykes Gaslight Square is held on the first Wednesday of every month, 11 a.m.-2 p.m.

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Bill Nelson & Craig Latimer trash Ken Detzner's directive on absentee ballots

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A day after Pinellas County Supervisor of Elections Deborah Clark said she will openly defy Secretary of State Ken Detzner directive on where voters can deliver absentee ballots, her counterpart across Tampa Bay, Hillsborough County's Craig Latimer, called Detzner's directive "a solution looking for a problem.""(Update:Ken Dentzer responds. See below).

Latimer spoke at a crowded news conference inside Senator Bill Nelson's district office in Tampa. Florida's senior Senator called it another move by the Rick Scott-led administration to "suppress the vote," this time in a low turnout congressional election in the 13th District in Pinellas County early next year.

Detzner's policy announcement last week that Supervisors of Elections should not solicit the return of absentee ballots at any place other than a supervisor's office has been met with exasperation and dismay by virtually every one of those elected officials quoted in the media.

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In Hillsborough County for the 2012 election Latimer used 15 early voting sites. All but two of them were in libraries scattered out throughout the vast, 1,000-square mile county. If he followed the policy change, that would reduce the number of places to return an absentee ballot to two locations, with some voters having to drive 40 miles to find their closest drop-off box. "This is not a way to get people to vote or to encourage them to vote by mail, " he said today.

"If I had an election tomorrow or next week, I'd be right there with Deb Clark. I would not be closing these sites down because I know they're secure. I know they're safe. And I also know they're convenient to the voters in our community, " Latimer added.

What's led to suspicions on the part of some Democrats is that Detzner's directive comes just as Pinellas County is engaged in a special congressional race to replace the late Bill Young. On January 14, Republican voters will go to the polls to choose their nominee. The winner will face Democrat Alex Sink on March 11. Since early voting has been allowed in Florida, Clark has discouraged that practice, but has encouraged voters to vote by mail and then submit their ballot to appropriately listed drop boxes throughout the county.

Nelson called the timing is "extraordinary," and the legal justification "specious." And he compared the directive to previous election reforms passed in recent years that saw the reduction of early voting days and dramatically shortening the period of time needed for third party groups to hand in voter registration forms. "The only reason that suppression attempt last year was not successful was when the people caught on with what was happening in a presidential election, they said 'you're not going to take away my vote away from me.'"

And Latimer said that he wished that the Secretary of State's office would spend as much time and energy on getting the vote as they have been on other issues, citing the voter purge from last year and the 2011 election reform bill. "I believe it's way outside the legal boundaries of the Secretary of State's to come out with an opinion like this."

(Update: Secretary Dentzer wrote back to Pinellas County SOE's Deborah Clark on Tuesday night. He praised her for her "quick work to amend your voting security procedures" in advance of the special election, and said that "I do not see the need for any legal action at this time.")

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Mitch Perry Report 12.4.13 - Crist campaign manager departs. Too soon for Dems to worry?

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The news that Bill Hyers has left Charlie Crist's campaign has sent ...well, not exactly shockwaves through Florida's political community, but at least some minor reverberations.

Hyers was branded one of the hot Democratic consultants in the country after his success in ushering in Bill DeBlasio's overwhelming victory over Joe Lhota in New York City's mayoral election last month. He told New YorkMagazine yesterday that he never really had fully engaged in his role with Crist however, saying, "I never started, and ended up just deciding to stay in NYC. Great town."

Of course it is, Bill. But you knew that before you decided to work for Charlie. No?

Crist is brushing off the slight, saying it's no biggie. And perhaps he's right. But it has to unnerve some Democrats in the state who are putting all of their chips on the former Republican running in his first race in his new party. Although he once again downplayed rumors to the contrary yesterday, Bill Nelson's slip of the tongue recently that he might run if Crist "got into trouble" suddenly might seem a bit more appealing to some now concerned D's.

Speaking of Nelson, the 71-year-old Democrat was in high dungeon yesterday, railing against Secretary of State Ken Dentzer's directive to the 67 Supervisors of Election across the state that they needed to begin changing their policies on how they collect absentee ballots (now sometimes referred to as 'vote by mail') ballots). Dentzer may have taken note, since he essentially is now backing off that directive.

And if you didn't know it was a new day at City Hall in St. Petersburg, you better now. Mayor-Elect Rick Kriseman's second new hire is like his first - a black female with strong roots in the community. That would be his choice for his director of Urban Affairs, Nikki Gaskin-Capehart.

And President Obama is scheduled to call for a raise in the minimum wage today, to over $10 an hour. Meanwhile a new study released yesterday shows that 2/3rds of the new jobs in Florida pay below a living wage, which organizers say is roughly around $36,000 annually for a single person.

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Guitar heroes, before there were guitar heroes: re-issues from Eric Clapton and Jimi Hendrix

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A thoughtful look at Give Me Strength: The ’74/’75 Recordings and Miami Pop Festival by Eric Snider

Hendrix and Clapton. Clapton and Hendrix. The undisputed guitar titans of the late 1960s. Before these two, before they introduced an amped-up version of American blues to a global audience, the concept of “guitar hero” did not exist. The stream of reissued material chronicling both artists attests to their undiminished status.

Added to the Clapton canon is Give Me Strength: The ’74/’75 Recordings, a 5-CD collection that documents a transitional period in his mercurial career. Experience Hendrix, the imprint that handles the legend’s prodigious reissue program, brings us the single-CD Miami Pop Festival, which captures The Jimi Hendrix Experience on stage in May 1968.

The two Strat-slingers were not rivals. When Hendrix exploded onto the London scene in 1966 after scuffling for a few years as a chitlin-circuit sideman, the already-established Clapton — white, British and a couple of years younger — quickly deferred. Hendrix, in turn, reciprocated, routinely lauding Clapton.

I became an instant devotee of both, part of a legion: white, American, suburban teens, predominantly male, who had never heard of — let alone heard — the likes of Muddy Waters, Buddy Guy and Elmore James. Experiencing the first ornery chords of “Purple Haze” in May 1967 was one of the most revelatory listening experiences I’ve ever had. Clapton’s guitar solos on Cream’s revved-up version of Robert Johnson’s “Crossroads Blues” stood the hairs on my neck even after the 416th listen.

Maybe it was the nascent critic in me, but I intuited, even as a callow youth, that Hendrix was the more vital and innovative artist. (History has born that out.) His kaleidoscopic dress, his on-stage flamboyance — his blackness — further snared me in his thrall. But Clapton’s Cream, with drummer Ginger Baker and bassist/singer Jack Bruce, was the more responsive and elastic jam unit. And while I didn’t keep a log, I probably logged more listening time of Cream back then.

My euphoria didn’t last. Cream split acrimoniously in ’68, after which Clapton did a one-off with the underwhelming super-group Blind Faith, slummed around the States with Delaney and Bonnie and Friends (and got bit by the Americana bug), then in 1970 released the estimable Layla and Other Assorted Love Songs as Derek and the Dominos (recorded in Miami and featuring Duane Allman). After that, addled by heroin addiction, he effectively went into seclusion.

Hendrix died in a London flat on September 18, 1970. Lore says that the day before, Clapton had bought a left-hand Fender Stratocaster he planned to give Hendrix for his 28th birthday in November.

It’s an accepted truth that an untimely death burnishes a rock star’s legacy. We do not witness the diminishment of artistic powers, the recycling of musical tropes, the bad aesthetic decisions, the descent into nostalgia, the onset of gray (or lost) hair and jowls. These are all things we have seen in Clapton. (The last time I attended one of his shows, perhaps a half-decade ago at the-then Ford Amphitheatre, I left mid-set out of sheer boredom.) My hunch is that Hendrix, more restlessly creative, would’ve fared better had he lived.

In 1973, Clapton emerged from a three-year heroin haze, having cast himself in a new light: reluctant guitar hero. His next two studio albums, 461 Ocean Boulevard (’74) and There’s One In Every Crowd (’75) — showcased on the first two discs of Give Me Strength (plus bonus material) — embraced the subtle hodge-podge Americana of the Tulsa Sound. Three of his band mates were from that Oklahoma town.

Twangy licks, simple slide figures and slinky chords characterize the guitar work, and there’s not a blazing solo to be heard. The servile band steadily supports him with relaxed, undulating grooves. You can hear Clapton beginning to cultivate what would end up being a sturdy singing voice, but he has a ways to go.

461 Ocean did pack one powerful surprise: a pedestrian version of Bob Marley’s “I Shot the Sheriff” reached No. 1 on the pop singles chart and played a significant role in spreading the word about Marley and reggae overall.

Otherwise, the material is mostly a mixture of muted blues, gospel and R&B, joined by a handful of Clapton originals that show his newfound penchant for writing sappy ballads like “Let it Grow” and “Pretty Blue Eyes.”

As infatuated as he was with his self-effacing sound, Clapton had to remind folks he still knew his way around a Stratocaster. Hence, the live E.C. Was Here— an expanded version, some of it previously unreleased, takes up two of the boxed set’s discs. The program includes a few blues standards (where he actually calls out chord changes to the sidemen), material from 461 Ocean, Layla and (oddly, to me) Blind Faith’s lugubrious “Presence of the Lord” and “Can’t Find My Way Home.” My favorite selection is a ramshackle version of “Badge” from Cream’s Goodbye album.

Clapton and his Okie-esque band deliver performances that are more intense than their studio work, but don’t approach the high-wire intrepidness of Cream. In all, E.C. Was Here underscores that Clapton, without the prodding of Baker and Bruce, is essentially a conservative guitarist, content to reside in the blues-rock box.

Hendrix, on the other hand, was relentless in his quest to mine pure sound and emotion from the blues. That sensibility is put on proud display when he launches into a minute-and-a-half of unhinged improvisatory din before landing on the opening guitar lick of “Hey Joe” to start his set at the Miami Pop Festival.

How does Miami Pop rate amid the vast trove of Hendrix live material? Nicely. Less than a year removed from his transcendent appearance at Monterey Pop, the still-rising rock god is not yet bristling at the confines of his Experience trio — two white British lads: drummer Mitch Mitchell and bassist Noel Redding (a converted guitarist with whom Hendrix quickly developed a testy relationship). He remains committed to the songs — mostly culled from his debut Are You Experienced?— and, importantly, to singing them. It wouldn’t be long before Hendrix, on certain gigs, half-assed his way through the lyrics in order to get to the jams.

Miami Pop’s best example of Hendrix’s re-imagining of the blues is “Tax Free.” An exhilarating instrumental set to martial rhythms, it careens through several sections, changing tempos — in all, a head-spinning six-string assault. This is Hendrix embracing orgiastic freedom while maintaining compositional order. That kind of risk-taking remained part and parcel of his live sets until the end.

Critics Ratings: Miami Pop Festival, 4 out of 5 Stars; Give Me Strength: The ’74/’75 Recordings, 3 out of 5 Stars.

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DCCC wants to know what CD13 GOP candidates think of Ted Cruz

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The Friday in St. Petersburg all of the candidates for the Congressional District 13 Pinellas County seat vacated by the death of Bill Young will engage in a candidates forum for the first time. The event takes place as the two best known Republicans in the race - businessman and lobbyist David Jolly and state Representative Kathleen Peters - are locked in a virtual tie at 27 percent, according to aSt. Pete Polls survey released Tuesday night.

Somewhat surprisingly, retired Brigadier General Mark Bircher comes in a not-that-distant third with 17 percent of the vote.

The poll also shows that Democrat Alex Sink still leads all of them by double-digits in the special general election that will take place in March.

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So with no primary to get involved with, the folks with the Democratic Congressional Campaign Committee (DCCC) are doing whatever they can to make the GOP race as tarnished as possible.

Today they unveiled a new website labeled "10 Questions from the Tea Party to Kathleen Peters and David Jolly."

They are:

1) Did you support the shutdown of our government?
2) Would you vote for John Boehner for Speaker?
3) Do you support Ted Cruz?
4) Would you support expanding Medicaid
5) Do you support Paul Ryan's budget that ends the Medicare guarantee?
6) Would you privatize Social Security and force seniors to gamble with their retirement on the stock market?
7) What are your thoughts on Governor Rick Scott?
8) Would you increase the debt limit?
9) Would you vote for the next round of the sequester?
10) Who is more in step with the Tea Party's conservative views? You or your opponent?

CL sat down with David Jolly yesterday, and asked him a variation of the last question. Specifically, what did he think of the Tea Party's influence on the Republican Party in the past few years, and is he concerned about the GOP's lack of success with certain constituencies - blacks, Latinos, Asians and young people?

"All politics is local," he said, adding, "I think a constructive message that concentrates on fiscal discipline on some common sense conservative issues resonates across the board- men, women, regardless of the demographic. This is a Pinellas County race."

CL will meet with Kathleen Peters later today and will update this post with her response to that question.

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Best of the Day: SYCOM at USF

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Some of the most eery, spooky, beautiful, spacey, imaginative and inventive sounds have been emanating from musicians at USF's SYCOM, one of the most acclaimed music programs in the Southeast, established in the early 1970s.

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This evening at 7:30 p.m. you can hear electroacoustic premieres from musicians studying under University of South Florida professor Paul Reller at the USF School of Music Concert Hall (relocated from Barness Recital Hall).

"Tonight's SYCOM concert will be strictly electronic playback, though we often have concerts with a live element," says Reller. "It will be about an hour and fifteen or so with short videos of the composers introducing their pieces."

Included is a piece by graduate student Jeremy Adams, who has has recently visited England to lecture and perform his electronic music. Participant Joey Bourdeau, who performs "Murderdragon," is a composition and music education student who incorporates theatrics and relies heavily on color and timbre. Tyler Kline, who brings us the joint "ligament," has been described by composer James Grant as "fresh and engaging, with an organic, sophisticated melodic savvy." And "Superfluous Adjectives" are described by Susanna Hancock, a versatile musician who has performed internationally in acoustic ensembles, electronic media and pop music. Click here for accomplishments by other musicians in the USF Music School.

Hear how a variety of hardware and software can be instruments to create music, using the state-of-the-art audio system in the School of Music's Concert Hall at 3755 W. Holly Drive, Tampa. Tickets are only $7, $5 students and seniors. Call 813-974-2301 for more info.

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In Tampa speech, CDC director says climate change will continue to bring more extreme weather

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A wintry storm pushing through the western half of the U.S. is dropping temperatures by 20 to 40 degrees below normal levels this week. Meanwhile, the Tampa Bay area bakes in nearly record setting heat for early December, with temperatures slated to rise into the 80's on Thursday and Friday.

This extreme weather is now becoming more common every year, and according to George Luber, Associate Director for Climate Change with the Centers for Disease Control and Prevention based in Atlanta, you better get used to it. "Sometimes these extreme events will be far greater what we've ever seen" he warned a group of concerned citizens at the Tampa Club on Tuesday night in an event sponsored by the Florida Chapter of Physicians for Social Responsibility.

Like Al Gore in his "Inconvenient Truth" heyday, Guber made his presentation on the dangers of climate change by providing a slide show listing both visuals as well as vital statistics on the health consequences of our changing climate patterns.

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"Climate change is real. It's unequivocal. It's not a polar phenomenon," he said in his address, giving hints of a report that the CDC will release early next year on the subject. He said the most startling fact to him is that even if the U.S. stopped releasing any carbon emissions as of today, the warming that is now occurring would continue to do so for the next few decades. "That means we need to adapt. Come to grips that we live in a warmer world," he said.

A milestone of sorts in the tracking of climate change occurred earlier this year when the the globe exceeded a carbon dioxide concentration of 400 parts per million. Scientists say the last time carbon emissions were listed that high was somewhere between three and five million years ago, when the world was much warmer.

Luber says we'll continue to see changes in the types of weather conditions, with extreme events far greater than we've already begun to see over the past decade. Europe's 2003 heat wave was one of the first big wake up calls about climate change and public health, he said, citing a death toll somewhere between 30,000 and 70,000 people.

He also mentioned that for the first time in our history, the proportion of people living in urban centers is over 50 percent. That's problematic in that there is a high concentration of engineered materials and concrete that captures the heat in the day and radiates it at night, a particular problem in places like Phoenix, Arizona, which endured its hottest summer ever in 2013, with an average daily temperature of 95.1 degrees.

Luber also showed a slide from a massive dust storm that hit Phoenix this summer (called a "haboob") that he said illustrated the intense volatility about our weather.

In terms of our future, no area will be hotter than the Southeast Luber explained, with the region expected to have the highest increase in the heat index of any region in the country. He said that the ground level ozone is projected to increase in the 19 largest urban areas of the area, leading to an increase in premature deaths.

But unfortunately, he added, the public health effects of climate change remain largely unaddressed.

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Review: Bonnie Raitt proves her musical mastery at Ruth Eckerd Hall, Clearwater

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A look back at the Tues., Dec. 3 concert. by Eric Snider and Tracy May

Veteran artists — those with 40, 50 years in the biz — know they walk a tightrope when trying to cram too many songs from a new album into their set lists. Baby-boomer audiences ain’t havin’ it. It’s like: Hey, I paid my 70 bucks, now play stuff I know! [Words by Eric, photos by Tracy.]

Bonnie Raitt did not have that problem Tuesday night at Ruth Eckerd Hall. She performed a generous five songs from her most recent disc, 2012's Slipstream, each of which earned enthusiastic responses from the crowd. Why? Basically, because Slipstream is terrific.

The same can be said about her nearly two-hour concert in front of an adoring packed house in a 2,200-seater she clearly loves to play. Terrific.

The 64-year-old singer and slide guitar wizard, backed by a simpatico four-piece band, was in a relaxed mood, what with her long tour nearing its end.

Raitt concerts are more apt to work your tear ducts than make you shake your ass. There is perhaps no better ballad singer currently working. She performed several — among them the linchpin “Angel From Montgomery,” Richard Thompson’s “Dimming of the Day” and a couple of Dylan songs from Slipstream: “Standing in the Doorway,” and the swaying, acoustic-driven “Million Miles,” a tour de force. In each instance, Raitt contoured the vocals; she reached for heart-wrenching blue notes, stretched lines, compressed phrases, murmured asides, effectively rendering the songs at once familiar and fresh.

Raitt’s top tear-jerker moment came when she emerged for an encore, sat on a stool with an acoustic guitar and immersed herself in “I Can’t Make You Love Me,” one of the most moving songs about loss I can name.

Her band is more supple than aggressive, and the uptempo tunes — notably the funky “Love Letter” and radiant “Not the Only One” (where she was joined by Paul Brady, the song’s writer and the evening’s opening act) — glided along with swagger and swing.

On this night, Bonnie Raitt proved yet again that she is an American master.

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Good things growing at Bradenton's Geraldson Community Farm

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Over the Skyway and through the woods to Geraldson Farm we go. by Arielle Stevenson

“You want to try the best tomato you’ve ever had in your life?” asks Christa Leonard of Bradenton’s Geraldson Community Farm.

She beckons me toward a line of tall green bushes dotted with yellow spheres and, with a gentle twist and snap off the vine, hands me a gold cherry-sized tomato. Unlike the flavorless grocery-store varieties, Geraldson’s “sungolds” burst with flavor, no marinade required.

“That’s what we’re known for,” she says. “They’re like little cherry tomatoes filled with sunshine and happiness. People go crazy for them.”

With a staff of just seven, along with numerous volunteers, Geraldson spreads the sunshine to customers in four counties, including Sarasota, Manatee, Pinellas and Hillsborough. A 20-acre organic CSA (community supported agriculture) farm located three miles east of Anna Maria Island, practically hugging the Gulf of Mexico, Geraldson feeds some 200 members of the CSA and supplies farmers’ markets, local restaurants and buying clubs through the Central Florida-based distributor Local Roots. Growing season began the second week of November and runs through May. Right now the fields are brimming with greens, tomatoes, squash and more.

Pointing to a row of deep magenta shoots, Leonard exclaims, “Those are beets. That’s my happiness right there.” The CSA’s community outreach coordinator, Leonard takes pride in the farm’s four kinds of beets: golden, candy stripe, and Cylindra beets are grown in addition to the traditional variety.

The farm is known for its heirloom vegetables.

“Heirloom means it’s true to its seed and hasn’t been crossed with anything else,” says farm manager Claudie Babineaux. “It’s not a hybrid. It’s been the same variety over a certain amount of years.”

That means you can find multiple hard-to-find vegetables — some of which, like beets and carrots, need to be directly planted by hand into the soil. And to reach the desired yield, you have to plant a lot of them. “There are probably 5,000 beets and 5,000 carrots in there,” says Leonard.

She recalls the equipment used for automatic direct seeding when she worked one summer on a farm in Minnesota.

“Things didn’t look as good or go as well as here,” she says. “It made me think of something Claudie told me. She said there’s something beautiful about planting a seed and sowing it by hand. There’s an exchange of energy that goes into it.”

Members of the CSA pay an annual fee for a full or half-share, and can either pick up their produce at the farm or at three other sites, one in each of the counties served. Anyone who can’t afford his or her share can work it off on the farm (two hours for half-share, four for a full).

Leonard began working at the farm as a volunteer two years ago. Once a month turned into once a week, and eventually she came on full-time. Every vegetable presents a different challenge.

Unlike the beets and carrots, the sungold tomatoes are planted into reflective plastic “to keep aphids and white flies away so we won’t have to spray,” says Leonard. The material also cuts down on the amount of nutsedge that crops up; the pesky weed is hard to beat because of its sturdy nutlike root system. “We come through and pull them out.”

Beyond pests, farm manager Babineaux says Florida’s weather is another formidable foe.

“Being so close to the water here, when storms happen they’re usually pretty intense because it’s coming right off the Gulf,” Babineaux explains. “Getting things in the ground between August and September is difficult because of flooding.”

Leonard recalls Babineaux digging trenches this past season until 3 a.m. in the rain, just to drain the fields.

Babineaux started out as an apprentice at Geraldson four seasons ago. Before that, she worked professionally as a park ranger and firefighter. Now she spends 60-80 hours a week, “sun up to sun down,” on the farm, then heads home to do copious quantities of record-keeping.

“Farming combines my interest in preserving the environment and allows me to be involved in the community,” she says. “It’s a perfect fit for me. This is what I’ll do for the rest of my life.”

Consumers’ lack of knowledge about local produce can be frustrating.

“A lot of people don’t know what we can grow down here and what our seasons are,” Babineaux says. “People wonder why we don’t have lettuce throughout the year and why our lettuce is more bitter. It’s because we don’t get the frost other places do.” Educating the community about food pathways is a core mission of the farm, and a big part of that is involving nearby schools.

Leonard points to a field of luscious greens.

“That’s kale, broccoli, kohlrabi, collards, and cabbage,” Leonard explains. “We have St. Stephen’s Catholic School come out and help us plant six times a year. We have 4-year-olds from the Children’s Academy. Kids are so desensitized about where their food comes from. It’s cool to see them planting, hands-on, and connected to the food source.”

The end goal isn’t to be the biggest, baddest farm in the biz. CSAs aren’t really meant for that kind of growth.

“We’re not trying to produce 10,000 pounds of squash,” Babineaux says. “We’re trying to produce enough for the CSA and markets, and still have a squash that tastes better.”

Geraldson Community Farm, 1401 99th St. N.W., Bradenton. Farmers’ market on Sundays 11 a.m.-3 p.m. 941-792-0985, geraldsoncommunityfarm.org

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Canceled: Chris Cornell's "Songbook" concert at Mahaffey Theater

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Ticket sales weren't the issue for this Friday's now-canceled date featuring an acoustic performance by Chris Cornell, the piercing-voiced frontman of Soundgarden and the late Audioslave. In fact, Mahaffey Theatre was looking at a sold-out house this Fri., Dec. 6.

But now the show is officially off because of a severe shoulder strain he sustained at his Nov. 27 concert in Delaware. (The dates on his "Songbook Tour" were, for all intents and purposes, supposed to be subdued, intimate, mostly acoustic affairs, so WTF what the guy doing anyway?). Though he made a brief return to the stage last night in Atlanta, he was advised this morning by his doctor that his injury has worsened and he needs complete uninterrupted starting now.

All tickets will be refunded. Ticket holders who ordered by phone or web will be automatically reimbursed. Patrons who purchased at the box office should return their ticket to The Mahaffey Theater box office for a full refund. The box office is (open Mon.-Sat., 11 a.m.-5 p.m.).

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Letter to a young panhandler

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Why I didn’t give you any money. by Scott Harrell

Dear Young Man Panhandling Outside Walmart,

I’m sure you don’t remember me not giving you any money. I was probably one of dozens who mumbled something to the effect of “sorry, can’t help” as they passed, and those dozens probably made up just a small percentage of the total number that rebuffed you.

On your end, you’re one of maybe 10 or 11 folks who’ve hit me up on the street in just the few weeks since the weather cooled. I’ve given money to some; I haven’t to most. I have no special reason to remember you, either.

But you’ve been on my mind a bit. I’m one of those sort of naturally guilt-ridden types, anyway, but I’ve specifically been wondering about you, and my decision not to throw some change your way. You see, I’ve got a lot of mixed feelings about panhandling — some charitable, others not so much. They’re the kind of views that will probably never be reconciled. I’ll probably always deal with the subject on a case-by-case, gut-feeling basis.

In the interest of a bit of indulgent navel-gazing, though, please allow me to try to work some things out by examining a few of the possible reasons why I might’ve shut you down.

Because you were 18 or 20, white, lucid and not conspicuously disabled in any way.

Because you were camped out in front of a Walmart instead of at a bus stop or alley or in front of a library, and you looked like you’d gotten pretty comfy there.

Because I’d seen four homeless people older and a thousand times more in need of help than you just that morning.

Because times are tight.

Because I’ve stood outside innumerable music venues while countless kids tried to bum money from me, claiming they were “opting out” of a fascist, capitalist system and completely unaware they hadn’t opted out of anything. That they were, in fact, very much like kids who’d inherited millions — whenever they inevitably needed to engage the system, they did it with money somebody else earned.

Because I have to work. (Not in the “get a job, you lazy, entitled shithead” way. In the “I’m lazy and entitled, and I have to work to pay for stuff, and until such a time as no one has to work if they don’t want to, if I have to work, then everybody has to work” way. Because I’m jealous, basically.)

Because I have issues with people who beg for money when, on the face of it, it seems they still have other options. More effort-intensive options, sure, but … I dunno, for me, I still equate panhandling with a pretty serious last-ditch compromise of self-worth.

Because the weather was spectacular.

Hell, maybe I didn’t give you a dollar because I was angry at myself for having made the decision to go into a Walmart for light bulbs. I’ll never know.

It’s interesting to think about, though.

For what it’s worth, if you’re someone who finds solace in schadenfreude, you’ll be amused to know Walmart didn’t even have the right kind of light bulbs.

Get more of Scott's writing at lifeasweblowit.com, and follow him @harrellscott … if you dare.

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Go wild: Cast a vote in CL's 2013 Fiction Contest

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We received a truly wild assortment of entries to Creative Loafing's 2013 Fiction Contest, which makes sense because that was the theme: "Wild"— interpreted any way the authors saw fit.

Our contest judge — award-winning novelist and short story writer Karen Brown — has chosen the Top 10 stories in the competition, and readers now get to choose a favorite from that list. Voting continues at cltampa.com/FictionContest2013 until Wed. Dec. 11 at 5 p.m.

The winners of the Judge's Prize and Readers' Choice will be announced at an awards reception and reading on Wed., Dec. 18, at 7:30 in CL Space, 1911 N. 13th, Tampa. The winning stories will be published in CL's Fiction and Books Issue on Dec. 19.

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Bill's Sports Binge: Yucky Bucs suck again, Gators gave Pease a chance and more shiny objects at the Trop

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It's the week after Thanksgiving. Time to un-tuck those work shirts, poke a new hole in your belt and brace yourselves for the winter months when temperatures can dip into the 30's and 40's for literally seconds at a time. The holiday season is in full swing. The moment Santa's fat ass officially brought up the rear of the Macy's Day Parade was the time it became okay to put up Christmas decorations and not a second before. For those of you who just couldn't wait for Thanksgiving to vomit the front yard with lights, giant candy-canes, fake snow and a blow-up two-story Frosty the Snowman who looked more like he was ready to attack the city than scream "Happy Birthday," shame on you. And for the extra crazy nincompoops who couldn't even wait for Halloween? You should be in jail.

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Speaking of food comas, the Buccaneers appeared to have been fed nicely over the weekend as they belched and farted their way to Carolina for an eerily familiar lethargic game of nap-ball against the Panthers, who apparently acquired the nasty habit of playing to win. After snapping an eight game turd streak with a grind-it-out may-the-worse-team-lose victory over the Miami Dolphins, the Bucs seemed to play with a reckless abandon devil-may-care attitude that was both refreshing and working. Coach Greg Schiano either loosened up his playbook or felt the writing was on the wall and thought if he was going down, he was going down swinging. Either way, it was fun to watch Buc football again. There was a glimmer of hope. A reason to believe. Not for a Christmas miracle but at least maybe a last minute rescue from the island of misfit toys. Then after a three week spring in the step of Buc Nation, Scott Farkus drilled us in the face with a slushy snow ball full of grass and dog poop. Careful, safe, boring, uninspiring, uninteresting football. You can gauge the entertainment value of a game by the amount of conversation pauses at a viewing party after the ball snaps. If by the fourth quarter, full sentences flow freely and uninterrupted, your team sucks.

While your Tampa Bay Rays were busy deciding who to keep, let go or snap up (So which Jose are we keeping, the fat one?), authorities of the polished turd department have unveiled renderings (see: doodles) of a major renovation planned at Tropicana Field that suspiciously left out power words like "demolish" or "relocate." Upgrades include a 360 degree walkway within the confines of the field so patrons can wander around the Trop without having to walk around the outside of the inside of the park … or something. Even if they decided to move to a new stadium today, it would take around three years for it to be a reality. So the fact that not only are the Rays making required renovations to keep the building from falling apart, but also throwing in some goodies along the way for the fans (NEW BAR!), you gotta give credit where credit is due to the team for making continuing efforts to add more butts in the seats. Next year's Summer concert series is rumored to include The Beatles, U2, KISS, The Rolling Stones and The Archies (apparently Jughead has been off model airplane glue for weeks). Oh, so NOW you're going? You people make me sick.

After losing to Vanderbilt at home for the first time since 1945, losing to a division 1-AA school for the first time since God was playing with Tinker Toys, and posting a losing season for the first time since The Village People were having a good meal at the "Y," The Florida Gators didn't necessarily clean house, but they did take a couple of urine soaked couches to the curb. Sunday it was confirmed that offensive coordinator Brett Pease and line coach Tim Davis were poop-canned Sunday after a 4-8 season (One of those wins was against Toledo, so …). Athletic Director Jeremy Foley still plans on retaining head coach Will Muschamp for a fourth season, but said the offense has to change. Shortly after Foley's press conference, Central Command General Lloyd Austin promoted him to Captain in charge of the obvious.

Honorable Afterthoughts: After squeaking by Michigan — who's ranked (papers rustling) can't seem to find it, I'm sure they're in there somewhere, anyway …— the Ohio State Buckeyes are now the number two team in the country ahead of Auburn, who beat the number 1 team in the country (cough!); Florida State will play the Duke Blue Devils (Um … what?) for all the ACC marbles Saturday night; Finally, two-time Boston Red Sox champion Jacoby Ellsbury will be wearing pinstripes in the Bronx next year for the low low price of 150 million donuts, predictably and delightfully inciting drooling rage in Red Sox nation. Anybody who can piss off that entire city while earning enough to buy Fenway Park is okay in my book (and you can color it, too!)

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Hillsborough County officials say they can end homelessness in a "business-like way."

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In October the Tampa Bay Times reported that since 2011, Hillsborough County's Homeless Recovery program has sent at least 130 ailing men and women to Bay Gardens, at a cost to taxpayers of more than $260,000. That ultimately led to County Administrator Mike Merill to say that his staff was unable to review those cases listed by the paper because of the way the county's records were kept.

Shortly after that, the county announced that it was working with non-profit organizations to transition to a new model for delivering assistance to the homeless. As part of this transition, the County’s Homeless Recovery Office will now close at the end of the year.

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At a joint luncheon with the Tampa City Council and Hillsborough County School Board on Wednesday, Merrill said the county would provide funding and support, but would no longer be in the homeless business themselves.

"We'll leave the Homeless Initiative program to those who do the job well like Metropolitan Ministries and the Salvation Army. We'll provide funding, we'll provide support....it takes a longtime to unwind 16 years of bad behavior and so we're getting to it as quickly as we can," he said about the problems with the Homeless Recovery program.

Merrill said he was extremely optimistic about changes within the leading organization for the homeless in the county - the organization formerly known as the Homeless Coalition of Hillsborough County, now rebranded as the Tampa-Hillsborough Homeless Initiative. "We can end homelessness and we can prevent homelessness," he boldly proclaimed. "We just need to do it in a business-like way. Achieving social objectives, but business models work."

Commissioner Sandy Murman chimed in that it was important for the county government to take control of both the homeless and animal services divisions, both troubled agencies that have had their problems extensively chronicled in the local media.

And she lavished enthusiasm about the teamwork going on between the city and the county when it comes to dealing with the homeless. "I'm very encouraged about that."

Also at the meeting today Tampa City Council Lisa Montelione described her collaboration with Pinellas County state Representative Kathleen Peters on a social marketing campaign involving the Art Institute of Tampa. "They're designing a media package that can be handed over to a community," Montelione said.

You can find more information about that program by going to the website aTrueFace.org.

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Lightning raise 'Mo Money for Movember

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For the fifth year in a row, members of the Tampa Bay Lightning participated in Movember, a global movement which raises money and awareness for men’s health issues during the month of November.

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Movember was started in Melbourne, Australia, in 2003 and has grown to become a worldwide movement. Two guys wanted to bring back the fashion trend of the mustache and that year, 30 guys participated, although no money was raised. In 2004, the 30 guys popularized their lip foliage, drawing in a total of 450 men and raised $43,000 (USD) for the Prostate Cancer Foundation of Australia.

The program raises vital funds focusing on education and awareness to combat prostate and testicular cancer, as well as mental health challenges. Last year in the US alone, over 209,000 participants raised $21 million (USD). Globally, 3 million participants have raised more than $446 million (USD) to date.

The Lightning’s month-long event was kicked off on the Ford Thunder Alley Plaza by Great Clips November 2nd, the night the Bolts defeated the St. Louis Blues 4-2. Many mustaches were handed out to fans who were also motivated to donate to the cause.

Several teams were being lead by Bolts players Teddy Purcell, Ryan Malone and Nate Thompson, as well as the team’s mascot, Thunderbug. Lightning fans were also urged to create their own teams and encourage their friends and family to donate to this great cause as they grew their staches for the 30 days in November. Their Mo Bros, BJ Crombeen, Pierre-Cédric Labrie, Matt Carle, and Radko Gudas, who shaved off his famous facial fur to partake, also particpated in Movember by growing out their ‘staches.

The Lightning also ran a Movember mustache contest where fans could post the progression of their mustaches throughout the month via social media platforms such as Twitter and Facebook. The winner, Anthony Volpe of Seminole, was announced at last Friday’s home game versus the Pittsburg Penguins and took home a pair of season tickets for all remaining home games as well as complimentary haircuts for a year, compliments of Great Clips.

Between the four teams, Purcell, Malone, Thompson and ThunderBug raised nearly $5k for Movember. Team Malone was the biggest fundraiser. Check out the time-lapse above to see their month-long growth.

Fans can still make donations via www.tampabaylightning.com/movember

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Spotlight on: SPOT Tampa Am 2013 music festivities

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by Leilani Polk

This weekend marks the 20th annual edition of the Tampa Am, Skatepark of Tampa’s well-regarded international amateur skateboarding competition and fall follow-up to spring’s Tampa Pro showings. SPoT officially kicks off the festivities on Thursday with a Welcome to Tampa Party; aggro funk-raging alt hip hop outfit Samurai Shotgun headlines.

On Saturday, a few days worth of qualifiers conclude at SPoT’s 21-year Anniversary celebration, a free concert staged by Converse Rubber Tracks Live and featuring Trinidad Jame$. The Atlanta-by-way-of-Trinidad rapper’s deliberate rhyme placement was first introduced in 2012 mixtape/album, Don’t Be S.A.F.E. (Sensitive As Fuck EveryDay) and its subsequent single, “All Gold Everything.” Brooklyn alt hip hop trio Flatbush Zombies also perform. The finals close the Tampa Am closes on Sunday.

Details:Tampa Am 2013 Welcome to Tampa Party with Samurai Shotgun, Reese, Road to the Riches Thurs., Dec. 5, 7 p.m., Skatepark of Tampa, Tampa, and Converse Rubber Tracks Live & SPoT 21 Year Anniversary Party with Trinidad Jame$, Flatbush Zombies, Sat., Dec. 7, 8 p.m., Cuban Club, Ybor City, free admission to both (tickets for 12/7 reserved at Ticketmaster.com).

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2020 Vision sees a bright economic future for South St. Petersburg

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Can an ambitious plan make a difference in Pinellas County's poorest district? by Mitch Perry

In his sweeping victory over Bill Foster earlier this month, Mayor-elect Rick Kriseman won the lion’s share of the black vote south of Central Avenue, a crucial demographic that was alienated by the perceived inattention of Bill Foster.

Kriseman’s promise to pay more attention to Midtown echoed the vows of Foster’s predecessor, Rick Baker, in his first run for mayor in 2001. But despite significant strides in that direction during his tenure, the fact remained that, after Baker left office eight years later, the deleterious effects of the Great Recession had left the city’s poorest district worse off than ever.

But now a group of St. Pete activists, empowered by an eye-opening report on Pinellas County poverty, have come up with what they are calling the 2020 Plan, a specific blueprint to improve the historically depressed Southside area — a five-year, $170 million plan to reduce the crime rate by 33 percent and the poverty rate by 30 percent by the year 2020. 

The plan has its roots in a campaign to increase black voter participation in the 2009 mayoral and city council elections. The group behind that effort called itself Agenda 2010, but its ambitions were put on “simmer,” as lead organizer Gypsy Gallardo puts it, after Bill Foster’s election four years ago.

But momentum reignited, she says, with publication of the Pinellas County Commission’s game-changing 2012 report, “The Economic Impact of Poverty.”

The study focused on five regions in Pinellas — East Tarpon Springs, North Greenwood in Clearwater, Highpoint (an unincorporated area between Feather Sound and Largo), the Lealman corridor and South St. Pete — and revealed that they suffered from poorer health, lower graduation rates, higher crime, higher unemployment and less adequate housing than the rest of the county. The results also showed that while the recession hit St. Petersburg hard overall, with city-assessed property values dropping 22 percent, the drop was almost twice as high — 41.7 percent — in the city’s Southside district.

Improvements in these regions would have a positive impact throughout the county, according to the study. “Current efforts through departmental programs and services need to be re-tuned with greater efficiencies to not only maximize dollars and see a value-added return,” concluded the report, “but to also realize improved quality of life for all Pinellas County residents.”

The report changed the narrative that had dominated public discussions of poverty since the Reagan era, says Gallardo, who as editor and publisher of The Power Broker Magazine has been an influential activist in South St. Pete over the past decade. Putting a price tag on how to reduce poverty, she says, “translates into a language that even elite, moneyed Republicans can understand.”

The poverty report got the attention of Commission Chair Ken Welch and St. Pete City Council Chair Karl Nurse. Both led their respective boards to explore creation of a new Community Redevelopment Agency (CRA) for the Southside — the economic strategy used by local governments to eliminate blight in specific neighborhoods and create a hospitable environment for private sector redevelopment. That has led St. Petersburg’s Economic Development Team to host a series of meetings toward a joint city-county CRA.

Agenda 2010 organizers call the CRA a “foundation block” of their plan. According to St. Pete city officials, the 2020 Plan targets “soft assets”— capital formation, restoring the family unit, financial literacy, and educational support systems. The city, meanwhile, will concentrate on “hard assets”— land acquisition, revitalizing neighborhoods, and building a transportation network — via the CRA and two TIFs, or Tax Increment Financing districts, used by cities to promote improvements in specific sections of town.

Mayor-elect Kriseman voices strong support for the 2020 Plan.

“The status quo of 20 percent unemployment and one in four residents living in poverty is unacceptable,” he said in an email statement to CL. “I’m hopeful that the 2020 Plan will provide a needed economic stimulus for Midtown and the surrounding area, and my administration will work hard to make that happen.”

He says that his deputy mayor, Kanika Tomalin, and his newly announced director of urban affairs, Nikki Gaskin-Capehart, share his commitment to this. Also worth noting is that Gallardo, Dr. Yvonne Scruggs-Leftwich (Gallardo’s aunt), and several other Agenda 2010 members are also part of Kriseman’s transition team. Scruggs-Leftwich, who served as New York State’s Housing Commissioner in Governor Mario Cuomo’s cabinet and worked in the Department of Housing and Urban Development in the Carter administration, is the transition team’s co-chair.

The 2020 Plan hopes to launch in October 2014 and continue through September 2019. Approval for the CRA will be a lengthy process, but it could be created shortly after the 2020 Plan launches.

One of the plan's main goals is an increase in Southside employment by 5,000, through job training and closing the skills gap. A focus on improving enrollment and graduation rates in the Pinellas school district, by “dramatically increasing” the number of students who will graduate in fields like manufacturing, construction, IT and health care, could lead to a projected 570 jobs.

Agenda 2010 organizers go so far as to say that the 2020 Plan will eliminate disparate poverty in the community “within the lifetime of many of us here,” reducing the poverty rate by a staggering 80 percent by 2045.

A bold proclamation, no doubt. But can it really happen?

Yes, insists Community Housing Solutions’ Askia Aquil, a member of both Agenda 2010 and the Kriseman transition team. “The goals as we have defined them and as we will continue to refine them are measurable,” he says, emphasizing that the plan focuses on the root causes and systemic sources of poverty.

Scruggs-Leftwich says that plans to coordinate public, private and grant/foundation resources to reduce poverty and generate community investment have been successful in a number of cities and states across the country since the 1960s, but “have not been targeted to Deep South, quasi-urban communities like St. Pete,” other than in “outliers” like Atlanta, Richmond Va. and Columbia, S.C.

“While it may be new to people in St. Petersburg, it’s an old concept,” she points out.

Funding is critical to the success of the 2020 Plan, and organizers say it won’t be about bleeding the taxpayer. Part of their pitch is how they intend to get the private sector to invest, calling on the community to be a “financial force,” raising more than $10 million of the $170 million budget.

“We’re not asking for handouts,” says 2020 Plan task force member Gwen Reese. “We’re asking for people to buy into a plan that will benefit an entire community.” She wants to disabuse people of the notion that a decrease in poverty in South St. Pete will benefit only those in South St. Pete. “Whatever we do to decrease poverty benefits the entire community.”

Agenda 2010 members are also looking at potential grants, including $100,000 in private money to match the amount that they’re requesting from City Council. Organizers say it’s important to reiterate that while the county has established baseline goals when it comes to reducing poverty — such as reducing recidivism and eliminating skills and employment gaps — only four of 26 such goals are currently being met.

City Council Chair Nurse says one of the positives of the 2020 Plan is that it attempts to address the community’s problems in advance (such as improving pre-K education) rather than trying to clean up the results of failure, which is how most government poverty programs operate.

“The goal here is to move money to the front end of the process,” he says.

Not surprisingly, the plan has its critics. Sharon Russ, who ran unsuccessfully for the District 6 City Council seat against Nurse, says it’s full of platitudes, not concrete plans. And she’s not convinced that Agenda 2010 organizers have reached out sufficiently to the community. She says St. Pete residents are cynical about efforts to improve their community, and refers to St. Pete NCAA leaders Manuel Sykes, Gypsy Gallardo and others behind the effort as the “usual suspects.”

Failed City Council District 4 candidate Dr. David McKalip is also critical, saying that the CRA “directs far too little money too slowly to South St. Petersburg and allows politicians more excuses for failures.”

On the county level, several commissioners have expressed concerns about allowing South St. Pete to be the first of the five identified poverty-stricken regions to get help.

Current Mayor Foster is solidly behind the Southside St. Pete CRA. Speaking before the commission in early October, he said, “This is of countywide importance. It’s all about change. It’s all about people.”

Rick Smith, the City of St. Petersburg’s community redevelopment coordinator, says the process to bring the CRA to South St. Pete will include community workshops and ultimately a community advisory committee consisting of local residents and businesspeople. The goal is to have a plan in draft form by next summer, before it goes through the City Council and ultimately lands on the County Commission’s agenda toward the end of 2014.

Ken Welch says that from his perspective, “Reducing generational poverty is as important to Pinellas’ future as sea level rise, flood insurance or economic development. I’m focused on that transformative strategic goal, rather than the target reduction percentages.”

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